Dialogue

Normally, I don’t think about this topic much. Yet when Eric from “Working My Muse,” recently spoke about the use of dialogue in a story, I began analyzing this element in my own fiction writing.

I’ve often heard people say they dislike writing dialogue. The biggest complaint is that the dialogue doesn’t sound natural to them.

I can understand this.

The biggest problem with dialogue between our characters is that we AREN’T those characters. We are not involved in their situations. Oftentimes, the plot will be far from anything that a normal person will ever go through in their lives.

So how do we write proper dialogue for a situation we never experienced?

I wish I had the right answer for this. Most people (including me) will say to actively go out somewhere: a mall, courtyard, park, or a simple grocery store. Listen to the people talking. Listen to how they interact. Write down notes. You will hear natural dialogue.

This is all true. It’s the foundation of learning the art of dialogue. We must first listen to speech to understand and institute it into our own stories.

Yet I also have a confession to make. I’ve NEVER done that before. I’ve never gone out and listened to people in a public setting. Yet I can write dialogue. Many people have said I’m good at writing dialogue.

So what’s my secret? Why do I find writing dialogue simple? Why do I enjoy writing it?

I believe Eric explained the answer best in his post while showing examples from his current WIP...

I hope I am improving in my use of dialogue, but I honestly can't say if it's good enough. What I do like about this example is that I can feel their character coming through. I can visualize what is going on here, see these two having this conversation. I at least feel that I'm on the right track, but I do still feel unsteady when it comes to dialogue.

That’s the secret. Within every place of the story, you have to feel the character’s life. You have to feel them come alive in every aspect. Their conversation has to whisper in your own ears as being real before you can type it down into the story. Otherwise, it will seem out of place, unnatural.

Since Eric posted examples of dialogue, it only seems right to post my own. This is a chapter from one of my manuscripts. I choose this particular one because it has a lot of character interaction: 5 people will come to speak in this - whether in long conversations or simple one line statements. Also, I hope it carries the emotions of the scene. I hope the characters come to life in the reader’s mind.
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Mike Larsen rolled his way down Elmer Lane headed toward the stop sign. One-way streets ran everywhere along this section of Lardo. The car would make a complete circle, or a square as it were, around just to get onto Pike Street and into the diner parking lot.

Larsen cruised along, taking his time and feeling fine this afternoon. All the properties he’d checked out showed promise. All of the owners seemed overeager for anyone to take the land, and the owed property taxes, off their hands. He even felt fine from his doctor’s appointment after the medical man bent and twisted the injured leg around and proclaimed the knee healed nicely. The doc slapped on a smaller brace and switched the crutches with a cane as the walking stick sat on the passenger’s seat. Now Larsen’s last task of the day involved stopping by the diner and getting the signed divorce papers. He could drop them off at Graham’s place, pick them up later, and drop them off at the courthouse tomorrow.

Mike Larsen was feeling fine. He felt even better than fine. He’d mark down this day as his lucky day while he glanced out the side window when passing by the rear of Carolina’s Dinah.

“Well, I’ll be damn.”

His foot slammed against the brake. The Cutlass did a stuttering stop right in the middle of the street. He yanked the gearshift into reverse and laid the gas pedal flat against the floor mat. The car swerved backward with rear tires running up onto the sidewalk. Narrowly, he avoided some ignorant asshole coming down the lane as the driver gave the one-finger salute. Larsen stopped inches from dinging the rear bumper into the street lamp and placed the car into neutral. The cane came along with him as he shoved open the car door and staggered over the slight curb into the parking lot.

His eyes hadn’t deceived him. He saw the shocked expression on the woman’s face and the caressing gesture made from the man who was her ex-husband.

Polly and Graham got touchy with each other during her lunch break.

“I’LL BE DAMN.” Larsen’s shout echoed toward them. Polly took a wide stance, preparing for the worse. Yet what boiled him up inside was seeing Graham Baxter leaning against the brick wall. The man acted so cool and calm, like he knew what he’d done and didn’t care in the slightest. What gall, what balls, Baxter had on him.

Larsen limped right up to them although he stayed out of kicking range from Graham. Polly came up between the men, dipping her hand into her purse and pulling out some papers. She shoved them toward Larsen. “Look, Mike. I have the divorce papers ready. He signed them all for ahhhh!”

Larsen’s hand came up and knocked her a light one on her check, pushing her out of his way. He wanted the woman out of this business. Larsen would deal with Polly later when they were alone at home.

The papers and her purse dropped from her hands. Polly staggered as she rubbed her cheek. Her shoulders hunched and her face lowered in shame. She held in the tears and opened lips, silently mouthing Larsen’s lessons without tone. Honor. Obey. She gave a nod and crouched, picking up the pages before the wind could blow them away.

Graham pushed himself from the wall. He said nothing to Larsen, dismissed him, as he bent down and picked up Polly’s things from her dropped purse. When they straightened, he reached out and caressed Polly’s cheek to her surprise.

Larsen’s eyes opened even wider. Her fiancé stood right there, and here her ex-husband touched her cheek again. He watched Graham turn around slow, really slow, much too slowly for him. Something was wrong. The man’s body trembled and swayed slightly on his heels. Larsen frowned. This could’ve been a trick, Graham acting sick just so he could later throw a jab. Larsen placed most of his weight on his good leg and lifted fists, ready for the swing.

Graham’s arms stayed by his sides. “No man’s right hitting on any woman. Only a weak man hits a woman to get his jollies off, and I don’t fight a weak man. It’s even worse than hitting a woman - like slapping a babe who sucks on his mama’s nipple too hard.”

Larsen’s lips curled. He snarled, “Easy for a scared man to say when he’s avoiding a fight, especially when he knows he shouldn’t go fondling someone else’s fiancé.”

“As bad as screwing a married man’s wife.” Graham turned toward Polly and raised the plastic sandwich bag at her. He mumbled toward her, “Take the stone to Marty. Have him get better.”

Larsen saw the red stone inside and shivered. He couldn’t help himself. His whole body flinched on its own at the sight. “Your boy isn’t getting any better.” Larsen lowered his fists a bit, loosening the grip on the cane with the wood chafing his hand. “And you can’t act all nice like with Polly and take her back with you by believing you can return to that life. Just face facts.”

“It’s not about me. Polly made her choice. This is for Marty. Our boy deserves to have a life.” Graham’s eyes implored her. “Star can do it, Polly. It can heal him. You know I wouldn’t be bugging you like this if it can’t.”

Polly glanced at Larsen, hesitated, then sighed. “Mike’s right. Marty isn’t getting well. And you’re right about a few things too, Graham. The doctors have stopped trying because they can’t do anything else for Marty. They’re not going to find a cure. We both have to accept it.”

“No. Won’t accept it. I can’t sit around counting the days until Marty’s gone. I’m not asking much from you. Take the red stone to him. Place it in his hand. When it turns gray, you place the stone back in the bag and bring it to me. That’s all,” Graham said.

Polly shook her head. “Crazy. This is so crazy. You’ve convinced yourself that you can heal our son when so many specialists can’t even figure out what the sickness is. You’re denying everything to yourself, Graham. Instead of accepting the situation, you’re claiming a rock has special powers.”

Graham chuckled, “I have hope in our boy like you still do. Why’d you take the curtains over and hang them in the window? Why’d you make his room feel all homey if you’ve given up?”

Polly shivered. Her eyelids blinked rapidly while she threw another glance at Larsen, hard and staring and asking for permission. He grimaced.

Graham shifted around and faced Larsen. He huffed in a short, high-pitched breath. Then he spoke to himself, “Someone’s been telling you differently. Someone’s got his lips in your ears again, wanting you all to himself, lying so you stay with him. My cheating. Marty being good as dead. Larsen got you thinking his mouth is the voice of God in your life. He got you thinking I walk around with a spiked tail and a pitchfork.”

“Polly?” The other waitress, Carla, took several steps around the side of the building. Deep concern lined her face. With all of them distracted, Larsen’s arm pulled around and spun outward, catching Graham square on the chin. Strangely, Graham flew back off his feet and sailed through the air faster than humanly possible as he slammed into the wall. He kept his feet but must’ve had a good knock of his head against the brick. He just stood there with his eyes fixed on the pavement. His hands still held the plastic bag.

“Graham!” Polly took a step forward.

Larsen raised his cane and leveled the tip at her, throwing an amused wink. “You better get inside, sweetie pie. We have a wedding to pay for next week.”

Her lips tapped together, wanting to say something. Then Polly gulped, clutched her purse against her chest, and twirled around. She hurried toward Clare who placed her hands on Polly’s shoulders. Both women disappeared around the corner.

When they were alone, Larsen made a swaggering limp toward Graham Baxter. He flinched when Graham lifted his fingers, then realized the man only wiped the bit of blood from his busted lip. It made Larsen’s smile grow wider.

“You have some nerve to call me a weak man. I’m not the one who made such a weak, sick son. It’s your fault Marty is in the hospital. Yet what can anyone expect from such trailer trash and their disgusting living? Is it any surprise your wife ran off with a STRONGER man, a man who knows how to treat all women? You can try to keep kidding yourself about Marty getting well. But when you go home to your lonely trailer, know your son will be dead by the end of the month. Crawl into your empty bed knowing your woman will marry another man next week.”

Larsen laughed while waiting for a reaction. Yet Graham’s features kept an even expression while he stayed silent. Larsen figured it came from Graham’s stunned thoughts. This smart aleck could say nothing now to act the bigger man.

Larsen leaned in close. “You lost, Graham. Nothing left for you to do now but lay down and die. Do the world at least this favor. Lay down and die and let Polly have a better life. Let her make herself a better world with what she’ll get from you and from Marty at the end of the month.”

“What’d you mean by that?” Graham’s face lifted. His hazel eyes looked tired. Weary.

Good. Let him accept he was nothing, meant nothing to no one, Larsen thought to himself and smirked. “Really. Come on, man. The only good out of people like you is what you will be worth when you’re rotting in the ground. Better for Marty when he’s gone and Polly can use the money in taking care of a real son, a STRONG son I’ll make with her. And when you’re gone, I can only imagine the property I can buy and build on.”

His voice turned dreamy. He thought about the one he had seen: the big plot in the pricier section of town. Beautiful piece of land. Virgin earth, the listing had described it. Nirvana, his eyes had said as Larsen imagined all the green grass and flowers rolled over under the soil. His workers would lay gray foundation for the apartment complex overlooking Clearwater Lake. By this time, he wasn’t paying attention to his words. His thoughts left him while he imagined how fantastic a life he’d have soon.

“Once I get rid of the crazy old bat, I can remodel the house to make lots of rooms and walking space. Put my very own office in at the back. I’ll have the finest house along the block. With Marty, I can have myself a really nice car, maybe a Porsche or a Jaguar. I always wanted a Jag. My arm can sit on the windowsill and I’ll have the seat pushed back while cruising by keeping tabs on my wealthy land. Graham will be the icing on my real estate cake. My properties will stretch from one end of Lardo to the other. Then I can expand. My company will take over store fronts and revitalize businesses. In five years, I’ll own most of the land in this town.”

“I ain’t gone yet. My boy ain’t gone yet,” Graham growled.

The smile faded from Larsen’s lips when he realized he’d spoken aloud. He stared at Graham’s face and into those hazel eyes holding a bit of moving red deep within the black. Larsen took a step away, unsure of himself now. Yet he knew how to change this mood. His fists came out and caught Graham in the midriff.

Graham’s body bent over. Then he straightened and slipped the bag into his jacket. He looked stronger now. More focused as if every hit somehow revived a bit of himself. His features scowled. Graham leveled his glaring eyes at Larsen’s face. “Can’t let you do this. Won’t let you make my boy into a dollar amount for your pockets.”

Larsen took several steps back with the cane raised in protection. His mind raced. Then the smirk returned to his lips. “You can’t do anything about it. Polly took out the policy: the mother of the boy. You can’t cancel it. You can’t even tell anyone about it. Who around this town is going to believe in a convict like you? Worse, they’ll assume you’re the man wanting the money. The doctors will turn off the life support by the end of the month. You can’t stop it now.”

“Marty woke up. Doctors won’t pull the plug now that he woke up,” Graham explained over the wail of sirens.

Both looked over when the police cruiser passed down Elmer Lane. They heard the car turn as it took the square around. At the front of the building, the diner cook stood with hands on his hips while glaring. Polly stood beside him with the other waitress. One of them must’ve called.

Larsen frowned. For her sake, Polly should’ve kept her fingers from dialing the number. He’d find out the truth tonight. He’d also find out if she’d done anything else with Graham out in the parking lot, something a bride-to-be shouldn’t do with any man other than with her fiancé.

Larsen held his cane sideways and at chest level. He staggered forward, ramming Graham’s body and pinning the man against the wall. Larsen whispered, “Don’t expect much out of it. Nobody gets in the way of me and my money. Your son will lay over in St. Francis Cemetery by next month. If I were you, I’d make arrangements now about your sorry carcass. Accidents have a way of happening when we least expect them.”

He heard the car door slam. Larsen gave a push of his cane once against Graham’s chest and laughed at the man’s stunned face. Then he limped back as the lawman sauntered forward. Looking thunderous when seeing them, the sight of the officer’s features made Larsen do inner somersaults inside his mind.

Sheriff Becken. Everybody in this entire town knew how he felt when dealing with Graham Baxter. Larsen tried his hardest to keep the smirk off his face. He’d swear he tried - no lying this time.

With his hands hooked into his belt like every lawman seen in the old cowboys’ movies, Sheriff Becken's strutting legs stopped beside them. “Boys scuffling again, I see. What did I warn both of you about the last two times? I’m not taking this nonsense any more.”

Larsen pointed his finger toward Baxter. “I want him arrested. He smacked Polly on her cheek. All I was doing was keeping him pinned until someone called the police.”

Sheriff Becken lifted his eyebrows and stared hard at Graham whose face had scowled more and more with every step the officer made toward him. “You go hitting on Polly?”

“You gonna believe me if I say no? You gonna believe Larsen did it if I told you that?” Graham shoved his hands into pockets and switched his angry gaze toward his feet. “Go ask Polly what happened. See what she says. See what she tells you and then you can decide.”

The sheriff stared at Graham for the longest time, flicked a glance at Larsen, and strutted toward the sidewalk. He spoke a few questions toward Polly while checking out the bruise on her cheek. She flashed her sight on Larsen, and he folded his arms over his chest. Her face lowered. She mumbled something. Sheriff Becken stood there another moment watching her. Then his shoulders lifted and fell at a deep sigh.

Larsen watched with interest as the sheriff asked a few more questions of the people standing around her: Carla, and Larsen believed the cook’s name was Maxis . . . Maxwell . . . or something. They shook their heads. All they could do since neither of them had seen the hit on Polly. Yet the other waitress pointed toward him and said something before pointing at Graham.

Even from where Larsen stood, he could see Polly’s eyes grow wide. The waitress bitch Carla must’ve turned snitch about his hit on Graham. His word against hers, and Graham’s busted lips. Larsen’s smirk returned. Easy. He’d claim it was self-defense. Not a judge alive would discount it especially with Graham Baxter standing in the courtroom. Everyone in this county knew Graham’s temper. He had the four convictions on his record. Larsen had never spent a night in jail. He never even had a parking ticket.

This could change today with his Cutlass parked right up on the sidewalk. He winced as Sheriff Becken made his way back through the parking lot. The officer’s head tilted to the side, looking at where the car sat with the door open and the engine still running.

The sheriff pointed his chin at the car. “Best get that thing off there and drive on home, Larsen. Or I’ll have it towed and you can pay the impounding fees.” Then he took hold of Graham’s arm. “Come on, Baxter. Let’s go.”

Graham shot a mean glare as Larsen backed away. With the lawman escorting him over, they walked toward the police cruiser near the three diner employees. Graham paused for the slightest moment beside Polly, looked up at her, and shook his head. Without any issues, he slid obediently into the backseat as Sheriff Becken closed the door.

Mike Larsen limped toward the Cutlass and climbed behind the wheel. Before he steered it off the sidewalk, he watched the cruiser drive away. He chuckled.

“Nobody will miss you when you’re gone, Graham. Absolutely no one.”

You’re making me do WHAT?!? - A conversation with a main character...

So, my main dude/dudette, what shall I write about today?

MC: Well, you could first start by giving me a name. I don’t think readers want to see dude/dudette throughout the whole manuscript

Oh, okay. Yeah, a name would be good. How about Paul?

MC: Paul? I like it. I feel like a Paul.

Good! Now, Paul, you pick up your mighty broadsword and cleave the troll in halve while stealing the magic elixir to awaken the princess.

MC: Umm...

What’s wrong?

MC: Yeah, I didn’t know you were putting me into a fantasy story. Do you think Paul would be an appropriate name for the main hero?

Huh? I guess you’re right. They usually have names like Edolpho, or Granidigle, or whatever. How about this? - Paul gathers her hoop skirt in close while batting her eyelashes. “Why, Mr. Cummings! Ya’ll can’t go blaming a gal like me in trying to catch the fancy of an available bachelor.” - Yes, that sounds good.

MC: Paul isn’t a girl’s name. And what happened to the fantasy bit?

Oh, I changed my mind. Are you sure you can’t be a girl named Paul? I could change it to “Paulette.” Do you feel like a “Paulette?”

MC: Let me unzip my pants and check something. Hm, I’m definitely not a “Paulette.”

TMI, main character! Well, we’ll stick with Paul. But where do we go from here?

MC: How about choosing a genre? You skipped from fantasy to southern women’s fiction. You have to pick something to move forward with the story.

All right. Let’s pick suspense/thriller.

MC: Fine. Suspense/thriller. Now what will I be doing?

You and your brother Peter will sneak into ol’ man Cummings decrepit mansion looking for Grandfather Philip’s missing antique sock monkey that was injected with a deadly toxin. Peter’s dog Pudgie begins growling when hearing a creaking noise on the floorboards behind...

MC: Whoa! Wait a minute. Don’t you think that’s too many “P’s?”

What do you mean? I’m not having everyone go to the bathroom all at once?

MC: No, not “pee.” “P’s.” My name is Paul. My brother’s name is Peter. Our grandfather is a Philip. And you even named our dog Pudgie. That’s way too much. You’ll confuse everyone if you give all the characters similar names like that.

OH! I do see your point. How about your brother’s name will be Mike and your grandfather will be Simon. The dog will be called Oscar.

MC: That’s a bit better. So I’m searching for a sock monkey filled with toxins hidden in a haunted mansion?

Yes. Unfortunately, every time you get near it, the monkey falls through a trap door and appears in a different dimension. You try going after it while the drug runners are shooting at the vice cops in the basement and The Rockettes are practicing their dance routine on the second floor.

MC: Drug runners? The Rockettes?

It gets even better. The sock monkey comes alive, terrorizing the small Viking village as it turns all the children into flesh eating zombies. How suspenseful it will be to see you save everyone!

MC: Sigh...

Okay. What’s wrong now?

MC: Do you think any of that is plausible? How in the world are you going to link it all together without any plot holes?

But I want the story to be exciting. I want it to have the people falling from their seats in shock.

MC: Yet the readers have to believe in the storyline. This is just a jumble of ideas stuck together with no rhyme or reason. Pick something believable and roll with it without too much deviation into chaos.

I guess you’re right. How about this, Paul? There were two unexplained murders in a small town, one that involves your brother. While the police run out of suspects, you decide to look for clues along with the grieving sister of the other murder victim. This leads you down many paths, one in which where love blossoms for the woman. Unfortunately, you discover a disturbing twist in the tale.

MC: Let me guess. I fall in love with the sister who was the one that murdered my brother.

Even better. You could have accidently killed her sister. And there are clues that at least one of the murder victims had faked their own death for an insurance scam. But nobody knows which one.

MC: Okay, let’s go on with this idea...

Elana Johnson's Fabulous Follower's Book Giveaway

Want a free book? Better yet, want a free PERSONALIZED book? Head over to Elana Johnson's blog and find out the rules of the giveaway. The following is the list of books you could win.



The Naughty List by Suzanne Young

 


Bleeding Violet by Dia Reeves





Prophecy of the Sisters by Michelle Zink





Hush, Hush by Becca Fitzpatrick




Gone by Lisa McMann (won't be personalized)





Captivate by Carrie Jones




The Secret Year by Jennifer R. Hubbard


Hurry over and get your entry in today!

A Must-Read Post


There are times when a post needs to be broadcast through the rafters as relative to our society today, especially when it involves the inconsistencies expressed by the media outlets (publishing and movies) when portraying different cultures. I would tell you what the post is about, but I don't want to give my opinion until you read the story yourself.

Please visit Ellen Oh and read her thought-provoking post. Then take a moment to consider these two book cover photos.

The Great Hook

“Ahoy there!”

I turned around and saw the fellow carrying his tackle box and life jacket. Around the rim of his floppy hat dangled tiny fishing hooks. The sight of him reminded me of that character who played the colonel in all those old M.A.S.H. episodes. “Pardon?”

“Sorry, I’m Frank.” The man held out his hand. After I checked it for any sharp points, I shook his palm. “Didn’t mean to be so abrupt. Saw you getting ready to head out on the lake. Wanted to extend a fisherman’s welcome.”

“Oh. Hello, Frank. I’m new at all of this so I guess I’m a little jumpy. My name is Michelle.” I removed my tackle box from the truck. “Do you come to this lake often?”

Frank nodded and grabbed my rod to help out. “Whenever the weather permits. There’s a lot of different fish in this water. I never know what I’m going to catch.”

We walked toward the pier where my new boat waited. I placed my things onboard before turning toward Frank. “Where’s your craft?”

“At the marina on the other side. Getting some work done on it. I’ll be doing some pier fishing today.” Frank shrugged. “Have yourself a good trip. Hope you catch a lot.”

I waved at my boat. “Come aboard, Frank. Plenty of room for one more and I don’t want to break any fisherman’s etiquette rules about leaving any man behind.”

Laughing, Frank loaded his supplies. He untied the boat from the dock as I revved the old motor. We puttered out into the middle of the lake, dropped the anchor, and readied our poles. I took out my special lures as curiosity got the better of Frank.

He leaned forward. “Never seen bait like this before? Is that a rolled-up newspaper?”

I chuckled. “No, it’s my manuscript. I’m fishing for agents.”

“Agents?” Frank’s eyes glazed over as his thoughts flipped through his mental fishing books for a creature by this name. “Are they related to carp?”

“I don’t think so.” I tied the lure to my hook. “I believe the Latin term for them is ‘literarius agens,’ or in English, ‘literary agent’.”

“Huh? Well, I learn something new every day.” Frank pointed at the end of my line. “What are those marks etched into your hooks?”

I took out a magnifying glass. “It’s my hook, or rather the pitch sentence for my story. I need to have something eye-catching to get an agent’s interest.”

“Um, they’re tiny words.” Frank’s eyebrows lifted in skepticism. “Are you saying agent fish can read?”

My laughter surrounded the boat. “They better, or they won’t be in business for very long. The words might look small now, but they will appear larger to the agents - sort of like sticking a straw in a glass of water. The part submerged always looks bigger than the half sticking out.”

“I only drink my beer out of the can. So I’ll just take your word for it.” Frank shook his head. He snapped his fishing line through the air and then sent it into the lake.

We sat in companionable silence for the next several hours. Frank’s fishing basket filled quickly while mine remained empty. When the early twilight settled over the lake and ground fog reduced our visibility, he began to bring in his line

“Doesn’t look as if you’re going to ca-“ He stopped as my line began to wiggle. Out in the distance, a large shape broke through the still liquid surface. It wiggled its tail end and flopped down with a huge splash.

“Wow! That has to be at least a 130-pounder!” Frank tossed nets out of the boat searching for the biggest one we had.

“I have to coax him in slow. I don’t want to upset him off my hook.” I tugged a little on the rod. My hand made circular motions as the line reeled in with thrumming tension. The large figure jumped from the water again, gleaming in the rising moon’s light, showing off his credentials. My hook had snagged a button on his shirt.

“Glad you drove here in that truck of yours. We’re going to have a hard time getting this baby in the back.” Frank’s hands grabbed the rod and held it steady so I could take a breather. One last big tug and we had my catch up in the air over the boat.

“Hmm.” I fished around in my tackle box until I found my flashlight. In the strong yellow glow, I scanned the papers in his hand. Then I shook my head. “I have to throw him back.”

Frank’s mouth dropped open. “What? But why? He’s huge! There’s no way the sots at the pub are going to believe this fish tale without evidence.”

I lowered the rod toward the water and pried my hook from the agent. He made one big leap and then swam away. In seconds he disappeared into the darkness and the fog.



I turned toward Frank. “When you go fishing and catch something that is undersize or out of season, what do you do?”

“I toss him back in the lake.” Frank scratched his head. “But you came here to find an agent. And he definitely wasn’t undersized.”

“But he wasn’t the one for me.” I sighed. “I know the excitement of finding one can be overwhelming and sometimes we will reel him in without hesitation. Yet we have to keep a clear head about things. He might not be the right one to market my manuscript, or have the type of working relationship I would want from my agent. He has to be right for me just as much as my manuscript has to be right for him to represent. If it’s not, things will go bad fast.”

“Yeah, I understand how that one goes. Once, I scooped a fish out of the water and stuck him in my basket without checking him out. Didn’t realize he was rotten and ended up spoiling the rest of the catch by the time I got home.” Frank started the motor as I placed my hooks away. “What a mess that was for me! Now I always make sure to take the time to check them out.”

In thirty minutes we were back on dry land. I had my truck loaded up as Frank came over to shake my hand in goodbye before he made his way home. “Sorry you didn’t find the right catch today. Hope things will be better for you next time.”

I nodded my head. “I hope so too, Frank. Enjoy your fish dinner tonight!”

I WON!!!!!!!

Okay, Michelle. Deep breaths. In... out... in... out...

Ahem. I won a query critique from Bethany and Suzette over at Shooting Stars. Even more, Elana Johnson, author of "From the Query to the Call," volunteered to do the query critique.

Yippeee!

Writing Contest... without the writing!

The ladies at Shooting Stars are holding a contest. All you have to do is leave a comment on their blog, become a follower, or talk about this contest to enter.

The Prizes:

Two query critiques

Two first five page critiques

A signed copy of The Dark Divine by Bree Despain.

Well, what are you waiting for? Get your butt over there!

Adding the Senses into the Spice of a Story.

Yes, all five. A dash here. A smidgen there. Mix well. Bake until the crux has turned a bubbly golden brown. A wholesome meal good for the mind as you lick lips at every savory word.

Okay. I’m talking about writing, not cooking. So you can stop gnawing on the keyboard now.

I talk about writing whenever I am on the verge of starting a new project. I sit for a time while thinking of all the good parts and tips I had learned in the last story. Then I remember all the new ideas I want to pursue this time. Some of the things I need to immerse myself in (and talk about today) are the human senses: sight, touch, taste, smell, hearing.

It is incredible how these things can shape a story. They can grab the readers’ attention and have the people fall headfirst into your writing as they send you the hospital bill and a summons to appear in court to pay for damages. But oftentimes we forget to explore such realms, except for two: touch and sight. We are doing a disservice to our stories when these are the only senses we concentrate on. And it doesn’t matter what genre you are writing in: literary, commercial, romance, YA, thriller, science fiction, fantasy, or short fiction (especially short fiction.) You need to make your story come alive for the reader. You need to capture all their senses until the readers feel as if they are in the room, leaning against the wall, drawing in lazy puffs of cigarette smoke, and wanting to join in or at least take pictures of the scene so they can sell it to the tabloids.

Do you want examples? Of course you do. Everybody loves free samples, er, I mean examples. These are just the ones I have written. You might have a few that can better express the senses.
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Sight:

A click sounded and the door swung wide. Mitch had seen a clumsy landscaper’s misplaced delivery in the bedroom. Yet that was in the Spring. This was Summer. Things had changed.

Bushes. Flowers. Thorns. Everywhere. Boards boxed in the floor around the bed and dresser to keep the soil away from the area near the door so it could swing open and close. The dirt lay piled up to two feet high in some places with long rods inserted in the mounds. Wire tied the woody limbs to the stakes to keep them upright. Branches reached outward almost engulfing the few pieces of furniture in the room. They surrounded the bed and over it, allowing a small space for someone to climb in. Leaves created a natural blanket for the sleeper.

I saw movement in the soil and in Clare’s bed. I could guess what it was but flicked on the light anyway to get a good look. My body leaned forward as I saw the earthworm tumble off the pillow and down into the soil on the floor. My fingers reached over and flicked off the light. I backed out of the room. The key made sure the lock caught.

Yeah. All right. A plant nursery grew in my grandmother’s bedroom. I could handle this despite Granny Clare having my mind tripping at the sight without the drugs.
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Touch:

Forgetting the missed cue, Trevor lost himself in the music. His voice thundered into the microphone with his mind completely locked into his special place. Now it was just Trevor and his guitar, as he stroked the strings and they responded to the caress by purring out their notes in satisfaction. His pants tightened below his waist while feeling the vibrating instrument rub against him in this musical game of give-and-take. Pleasure. Sheer pleasure.
*****************************
Smell:

I placed my cheek on the floor, devastated to the point of tears. Musty. The linoleum smelled musty with an old fruity aroma of many shoe prints. Overripe with what the previous occupants had brought inside. Excitement caused by the job promotion as they had never seen the yellow puddle in the grass from the feral cat. Happiness from winning the basketball rematch as the players’ sweat from the auditorium had filled shoe treads. Sadness created by the bad report card as they had stomped with frustration upon every unwary bug on the sidewalk.
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Taste:

Cold mint. George’s tongue ran over the surface holding a bitter tang and sweet snap of sugar euphoria that he enjoyed when chewing on black licorice dipped in Dr. Pepper. The heat from his mouth stripped away the first savory layer. Yet he lingered on the second. The flavor had changed. Deeper. Pungent. Dirty in the way of many hands covered in salty sweat and bitter perfume and deep-fried foods overcooked until charred.

He tried to tug his tongue away. Yet the chill air had frozen the saliva against the flagpole, fastening his tender taste buds onto the metal. George knew he should have never accepted that sucker bet.
********************************
Hearing:

I pulled my eyes from Mitch’s entry. My feet walked over toward the circular spot staining the gypsum board above. It must have been here Grandpa referred to in his journal. Yet he had mentioned a plaster ceiling. Was it the original covered over by the second made of tiles?

My hand reached up but I was too short to bump a tile out of the metal track. Not even the bone helped as I stretched it upward to scratch the rough surface. I hated drop ceilings. Saw no real use in them. My childhood home had one, and I could hear scratching noises as the mice played relay races on the tiles. Scritch-scratch toward one wall then the same sound toward the other, knowing my father had laid down traps as I waited with anticipated dread.

Scritch-scratch. Scritch-scratch. Scritch-SNAP. Silence.
**********************************
The senses. Explore them all. Place them in your writing. See what you can bake up. But don’t forget to send me a slice. This post has made me hungry.

Quirky Characters

Today, I want to talk about quirks.

We all have quirks, whether it’s the eye roll whenever we hear a tasteless joke, the habitual clearing of the throat to gain someone’s attention, or the hip thrust with the hand placed on one side in the indignant pose when someone is acting silly.

Your characters do have their own unique quirks, don’t they?

If not, you are seriously missing an important element in your writing: creating an engaging character. In my last post, I rambled off a little story post. In this, a child was experiencing her taste of winter as her mother walked into the kitchen. The mother had a very interesting quirk. Let me refresh your memory with a snippet.
*****
The water in my palm splashed onto the outdoor carpet as I wiped my hand on the hard fibers. I scooped another unformed snowball up, flicking away the tainted bits until I found a clean spot. My teeth bit down, shoveling the flakes inside, cooling my tongue. The cold white caused a brief shiver through my muscles and brought a grin to my lips. The snow tasted like presents.


The snorts proceeded her into the kitchen. My mother sucked in air through her nose claiming her allergy irritated sinuses. Every five seconds it happened, punctuating the air and halting her mumbling words spoken to herself. Yet the action seemed more instinctual.


When she had watched television, the noises would stop with her fully focused on the glowing screen. After the show had ended or an annoying commercial appeared . . . snort-snort-snort.


Back in the kitchen, I heard a large deep snort of disgust. She must have noticed the open porch door, felt the cold draft, realized whose shadow sat in front of the sun-filled storm door window.


“CLOSE THE DAMN DOOR.”
*****
For the mother, her snorts became her quirk. A psychological tendency she had during her boredom or when angry as she showed her disgust. When her mind focused on something, like watching television, the snorts never appeared.

A quirk can be anything, but it has to first identify the character. Even more, a writer can change such a trait - evolve it - with their character whose behavior should evolve and change with the story plot.

An example: You have a shy female character. Her quirk could accentuate this shyness, like a lopsided grin she only allows herself as she hides her laughter. By the end of the story, events change where she is more comfortable with herself. The defining moment is when she lets out a guffaw of laughter around those people who once made her feel uncomfortable.

Another example: You have an intelligent male character. His quirk is the classic raising of the eyebrow when around those people he feels are intellectually inferior. During the plot, he meets a mentally-challenged person whose childlike tendency softens his heart. Whenever this person shows bursts of compassionate wit, the intelligent male character no longer raises his eyebrows but scratches them in humbleness.

A quirk doesn’t have to take a center stage in the story. I’ve read one where the quirk was so dominant in the character, spread throughout the text constantly, that I grew bored and disconnected with the book. This was a true shame because it was a really good story. But a writer can kill an audience’s interest instantly when the only thing holding together the storyline is the quirkiness of the character. (I find this happening more often in humorous stories than anywhere else.)
*****
Here are a few types of quirks you can give to your character:

Reflexive reaction/motion - This is when a character’s quirk only appears if something else happens. Oftentimes it covers up their own emotions.

- A peculiar sneeze or a cough during an embarrassing situation.
- A muscle tick or chewing on fingernails in nervousness
- A tapping foot or cracking knuckles in impatience.
**
Psychological habit/tendency - This goes at a deeper level. Something traumatic had happened in their past and it forces them to have such a quirk today.

- A trembling leg whenever seeing a dog cross the street caused by a dog bite happening during their childhood.

- The rubbing of hands when hearing a news story about a house fire or seeing someone flick on a lighter. Perhaps when he or she was a teenager, the character had vandalized a house by setting fire to it without knowing there was someone else inside.

- A clearing of the throat and spitting on the ground when seeing a parent verbally disciplining their children. It goes back to the character’s past when their parents disciplined them, perhaps in a negative way.
*****
These are but a few idiosyncrasies I have listed. I encourage you to find your own to fit into your particular storylines. Give your characters quirks to make them unique to the reader, but don’t overdo it. As with every element involved with writing a good story, find a balance.

Just rambling today to make a post

White. Stark. Cold.

Ice filmed the opposite side of the pane, sloping in a gentle curve, fattening at the bottom. My finger traced the line down, skiing the steep slope, creating a squiggly wake of clearness along the breath fog. I blew air from my chest, long and hot. The line faded beneath the mist. Now I closed my hand into a fist and pressed it sideways against the haze.

My hand peeled away, leaving a sole impression of a baby’s foot. Four dots with my index finger made the smaller toes and a thumb blot created the large piggy who would be going to the market while the others stayed home. A footprint stained the glass, my mark on the world, as ethereal when cast in fog on a warming windowpane as it would be on sand near rising ocean tides.

I looked through the frail imprint. Two white flakes skipped along the pane, blending in the cover of white throughout the backyard. My body shifted to sit on bent knees. I snagged the black pushbutton handle for the storm door. The blast of cold hit into my chest, lungs contracting, airway passages confused over the drop of temperature. Irritated wheezes crawled from my throat as I pulled in large gasps ending in ragged coughs.

I fought off the rising asthma attack. My arm reached out to scoop up a palm-sized wad of snow. It wasn’t entirely white like it should’ve been. It was cold, and it was melting. But the snow wasn’t entirely white. Black specks dotted the surface. The first lick of my tongue lifted my upper lip into a grimace. Gritty. Foul. Beyond the crack along the door, a billowy gray cloud settled onto the barren flowerbed. Smoke blasted from the chimney settled onto the snow, tinting it in specks of burnt coal dust.

The water in my palm splashed onto the outdoor carpet as I wiped my hand on the hard fibers. I scooped up another unformed snowball, flicking the tainted bits away until I found a clean spot. My teeth bit down, shoveling the flakes inside, cooling my tongue. The cold white caused a brief shiver through my muscles and brought a grin to my lips. The snow tasted like presents.

The snorts proceeded her into the kitchen. My mother sucked in air through her nose claiming her allergies irritated sinuses. Every five seconds it happened, punctuating the air and halting her mumbling words spoken to herself. Yet the action seemed more instinctual.

When she had watched television, the noises would stop with her fully focused on the glowing screen. After the show had ended or an annoying commercial appeared . . . snort-snort-snort.

Back in the kitchen, I heard a large deep snort of disgust. She must have noticed the open porch door, felt the cold draft, realized whose shadow sat in front of the sun-filled storm door window.

“CLOSE THE DAMN DOOR.”

The squeak of hinges betrayed my movement when I tried to quietly swing the door shut. Garfield slippers scuffed underneath as I scrambled on hands and knees to the kitchen screen door, keeping low as it banged behind me. Against the dryer, I huddled while spying around the white edge, smelling springtime freshness from leftover fabric softener sheets.