Blog Chain: Fill in the Blank . . .
Welcome back for another post along the blog chain. Kate has a say in the question, and since it's Thanksgiving/Nanowrimo, she's taking it easy on most of us writers who are engaged in the challenge (Good Luck!) Kate has a fun one this round. A fill-in-the-blank...
Books are_________________________.
At least I thought this would be a simple one to do. But as I started thinking about it, I realized there are so many avenues to take with this question. So I will say:
Books are . . . Life.
Stories emulate life. Stories expand lives. These books make us cry, or laugh, or just entertain us. Would the quality of our lives be lessened without books? Yes. They teach us from the day we learn our alphabets into our old age where we pick up a scrapbook of memories and read about those times that brought us joy. Weddings and anniversary dates. A funny tag line about the vacation the family went on to the Grand Canyon.
Books keep us healthy in bodies and minds. Books pass the time when we must wait for that airplane or train to arrive for a business trip. Books can bring families closer together with bedtime stories read within the soft glow of night lights.
Books are life. There won't be a time within our entire lives where we won't read one, even just a high school textbook. Whether we are devout fans of reading, if it's just a passing fancy now and again, or we can't fit something like that into our lives on a daily basis, we will all be touched by books in our lives.
Even if we just sketch a picture of one.
Read Eric's post who came before me. Kat will post her answer tomorrow.
Blog Chain: Dear Character, Who Are You?
Another interesting blog question time! Abby has this go-around with the following:
Where do your characters come from? And once they've been introduced to you, how do you get to know them?
Eric answered this question yesterday. Normally, I post all the links (besides the person who spotlights the current blogchain) at the end of the page, but he brought up the same sentiments I share when I comes to character creation.
I can't sit down and list the character's life story before writing the plot. I don't do character sketches. I don't do character collages (if you want to find out more about those, you can visit the wonderful Stina Lindenblatt and her post about getting an idea of what a character might look like. Sometimes I don't even have the character's name set in my mind. But I'll have the basis of a plotline. As I write along, the characters appear, fitting into every nook and cranny of the story as if I was just walking along the street happening upon scenes that unfold before my eyes.
I don't see creating a work of fiction as sitting and developing anything: not the plot, not the characters, not the story arcs or the dialogue or the pivotal point of the entire story. I see myself as someone happening upon the story with a notepad---you can either think of it as a fly on the wall type or a journalist---who listens and observes and commits to memory what is happening before crafting my story.
So, to make it simple, the characters pop into my head and I type everything down as an eyewitness account before their facts get tainted by my personal opinion. I'm on a tag-along for a police ride like those kids who have dreams of becoming an officer and sit in the back seat, jumping up and down with excitement, wondering (or is it perhaps hoping) something spectacular happens like a bank robbery. With guns blazing and people running, I'm right in the middle of all the action yet protected by the police cruiser's mesh prisoner cage.
The story appears in my head along with the characters. It makes things very exciting not finding out things about them until it happens, as I lean back in my chair and say, "Whoa! Never expected that!"
As I mentioned in the beginning, Eric posted a wonderful answer to the same question yesterday. Expect Kat's answer tomorrow.
Blog Chain: A talk with an author (Alive or Dead)
It's my turn! It's my turn!
Here we are with another round of the chain a'swinging, and it's my chance to ask (and answer) a question. I was thinking of making this a two-fer question. That's how excited I am. But I'll hold off and just ask one. I don't want to use up all my barely good material. Okay, here's my blogchain question:
If you could dine with any author, and I do mean any whether alive or dead (yes, we're going into the realms of time travel - but hey, we have science fiction writers on this chain so we can always ask for them to write up the time machine specs), who would you want to dine with? And if you can ask them for advice on one writing element you feel you might be struggling at, what would it be?
I wasn't sure how to answer this one myself. There are a lot of authors-- strangely, most of them are dead-- who I would love to have the pleasure to have a nice meal and a chat. The first author who pops into the mind is J.R.R. Tolkien. I would find it fascinating to ask about his techniques on how to create such detailed worlds and scenes. But I'm not sure I could hold my tongue concerning some of his parts that seem... well, a bit fluffy--not so much as poor descriptions, just a bit long-winded and airy. Rather not spoil the dinner and find my meal in my lap as he storms out the room.
Another author who comes to mind involves Stephen King. I would love to ask him about his action scenes and how he can write with so many characters yet keep the plot flowing to a logical conclusion without any gaping plot holes or loose story lines leading into oblivion. But I'd be a bit nervous. He's probably ask for a midnight dinner on a stormy night in a haunted mansion, and I would be jumping at every shadow being stuck in a room with a master of horror writing. If the lights went out, I would run out the room screaming (especially if the maid named Annie Wilkes walks into the room holding a sledgehammer and talking about her pig and how I should write a story just for her-- loved King's "Misery" book).
But the one author I would love to dine and converse with would be Edgar Allan Poe. I would love to talk his ear off... perhaps that's not the best metaphor about having a conversation with someone who has been dead for awhile but deal with the mental image I implanted for a bit. I would want to talk about his unique style, his way of creating such descriptive scenes and character interactions in such a condensed way of short story fiction writing. I believe his voice is incredible, and learning to create such awe-inspiring short fiction can only relate into improving longer stories and plots that capture a reader's mind in ways I can only dream about.
So, while I scrub down the shovel and remove the muck from boots after my little hike into the cemetery, (no, I didn't write this as a primer for Halloween - it just happened that way, HONEST!) I would like to find out who you would dine and chat with for a night. Make sure to visit fellow blog chainer Eric for his answer to this topic.
If you will excuse me, I have a few leftover, decayed body parts I have to clean up from the dinner table.
Blog Chain: Biggest Mistakes
My turn in the blog chain has arrived a little early. I switched turns for this round, coming in second. So I'm jumping in a quick response, but this is quite an interesting topic. Laura's up for this round (I believe I'm up first during the next *gulp*). Make sure you read up on her response. You won't be disappointed! Her question:
Regarding your writing career, what’s the best mistake you’ve ever made and why?
This is a great question because I often think of my writing mistakes and on how I can improve from them to further my writing career. Besides learning to type by actually looking at the screen to reduce the number of typos (hey - at least I learned to type with ALL my fingers), I believe my best mistake was a technical one.
I accidentally deleted one of my manuscripts - the whole manuscript - twice.
Why would this be my best mistake? All that work, all those lost chapters, gone without having backed up the files?!?!?! The reason it was the best mistake I made was that I learned to first back up that manuscript in every way possible. But I also discovered two most important things:
I learned to improve on my writing
I allowed the plot to evolve in ways that made the manuscript better.
This second reason had to be the most wonderful outcome to my best mistake. With that one press of the delete button, I didn't stick with a set storyline as I recreated the manuscript. My characters changed. They grew in their personalities and interactions. Descriptive paragraphs allowed for the scenes to have more life: to hear and feel and almost taste the things going on. A singular plot developed arcs, branching out yet maintaining a purpose brought together into a solid story.
Instead of merely deleting a simple typo, I deleted a manuscript. And when I rewrote it, I found it was the best thing that ever happened.
Remember to go see Laura for her answer. Shaun will have his post up tomorrow.
Blog Chain: Remembered by...
It's another link in the blog chain, and my time is here. Shannon asked this week's topic, which is...
Imagine this: when you are gone, readers will remember your writing most for just one of these things: your characters, your plots, your settings, or your style. Which (only one!) would you prefer over the rest? Why?
I'm dead, yet I'm suppose to care??? Um... methinks I would rather be alive and just be glad my readers remember my name enough to pick up my book from the shelf - once I get that far with my writing. But if I were to croak.. ack... ack... I would like people to remember me enough to not burn my novels in joy.
Okay, seriously, if I'm dead I would like people to remember me by what I was like: my charm, my effervescent personality, how I interacted with people... er, I mean I would like people to remember my characters. How they possess charm to stay in the memory. How they have such personalities to make people laugh, or cry, or kill over crying with laughter. I want my characters' interactions to be so real that readers can relate to them in their own lives.
I would like readers to remember me by my characters, although a few flowers on my grave would be nice too.
You know the drill by now. Eric's post came before mine. Kat's post will come afterward. Read both.
flowers... I want flowers... red carnations... on my grave... or I'll haunt you!!!!
Blog Chain: Genre Talk
The wonderful Margie has this round's topic. She asked:
How did you come to write your YA genre (e.g. contemp, fantasy, etc?) And (yep, it's a 2 parter) if you weren't writing that, what genre would you be interested in exploring?
Oh, genre. How do I know thee? Let me count the ways...
I'm not a YA writer and never tried such, as several of my blog chainers have already stated also. I lean toward mystery/suspense. I'm too much of a Stephen King/Edgar Allan Poe buff to stray from writing in this particular genre. As Eric stated before me, I've dabbled in the paranormal: one mystery has a woman with psychic powers and a suspense has a cursed stone.
I've never put much thought in writing in a different genre until this question. I think maybe sci-fi would be interesting to explore, although writing the technical side of spaceships and whatnot scares me off too much to try. I could see myself dabbling in romance, so long as it still had some type of mystery and suspense elements. I don't believe I could write YA. I don't think I could write something that young adults would be able to relate too.
Ah, well...
Please visit Eric with his answer. Kat will post tomorrow.
Blog Chain: Challenge Yourself
Egads! You know I'm late when I have to head slap myself to remember just to take out the trash on Thursdays. So I am waaaayyy late for this Blog Chain. The awesome Eric starts this round's topic:
What do you find to be the most challenging aspect of being a writer? What is your greatest reward from writing?
I think the most challenging part of being a writer involves getting other people to believe that writing can be a job, a career, a lifestyle that a person can enjoy without punching that daily time clock. Too many people believe that being a writer is a hobby - like coin collecting.
A person can be a writer and make it into a job without having to leave the house or work in an office.
A person can be a writer without having to always explain themselves that a person CAN make money from writing.
I guess the most challenging aspect of being a writer is the general attitude some people will show, the disdain when you tell them you are a writer. They may show the general tinges of interest in the beginning. Yet the moment they find out you don't have a book out or aren't part of a news corporation as a journalist, they scrunch their noses in the universal look of disregard as if saying, "What's the point with writing if you aren't published?"
Okay, I think I've ranted enough with the first part of Eric's question. Let's move on to the second part. What do I find the most rewarding part of being a writer?
I think the reward is seeing my writing on the screen. To read it and say to myself, "I did that. It's my words, my thoughts, my style and voice and opinion. I crafted that scene, that paragraph. I molded the characters the way I wanted them to be.
Truthfully, it's an ego trip. I guess dealing with the negative attitude of people who don't understand what it means to be a writer, I need that boost to my ego to let me know that it is all right to be a writer. This is the greatest reward I could ever imagine.
Go visit our chain starter Eric and read his answer and please visit the wonderful Kat for her answer.
Blog Chain: Where Am I?
Yikes! I've been away from posting here for some time. So you know when you see a new one here, it must be part of the blog chain series. This round's question comes from the wonderful Cole who asks:
Are you querying? Gearing up to go on submission? Writing? Revising? I'd love to hear what's new with you. And if you'd like to share a snippet of your WIP, even better!
Um, well, really I haven't done much in the querying or submission department. Much of life's happenstance has gotten my mind completely from the blogging community. From where I've left off, I have two finished fiction manuscripts ready for revision/crit/querying. Other than that, I've been busy with other things.
Yeah, I know this wasn't much of a blog post. I'll make it up to you with a snippet from my suspense manuscript, The Stone Man. It's possible I posted this snippet before, but I'm too busy to check. Hope you enjoy it.
************
When the car reached the gravel road, Graham pushed his foot down on the gas. His fingers gripped the steering wheel, mentally urging the car faster. Instead, the wheels turned slower. Pings and clanks sounded under the hood. All the warning signals in the instrument panel lit up, flashing many red angry eyes at him. He didn’t know whether the bumpy ground had done something to the car or the salesman had kept something hidden from him. Either way, the car slowed. Wisps of steam escaped from along the edges of the hood.
Graham kept it going while knowing those wheels still moved faster than his walking feet. Then a wall of steam poured through the hood, fogging up the windshield and blocking the sight of the road. A busted radiator. He knew it immediately. His hands steered the car off the road as it coasted to a stop. Then Graham pounded his fists against the steering wheel to release the pent-up anger before stepping out.
He hiked along the road. By the time Graham reached the junkyard, his nose sniffed at the breeze. Fresh shit. Cotter had a holding tank for the barn runoff from his dairy cows. The farmer would store it until the spring when a big truck with a pump would syphon out the mess in the hole. Then the farmer would fertilize his fields before he planted his corn.
Graham looked forward to the smell although he never planned on breaking his promise to the farmer about filching any more of his livestock. Yet Marty needed the energy, and Cotter’s cows had nowhere to run in their pens. If Graham could wake them up and herd them in a tight group, he could fill the stone even more than with the two deer he’d hunted. Graham placed his hands on top of the wooden fence.
Something cracked against the back of his head. His chin knocked into his chest. Graham’s hands reached up and held his throbbing scalp, a bump already rising along his hair. His eyes winced as he gazed into the field and saw something sparkle in the grass. Another star?
Glass. Long. Round. He sniffed his hands. Despite the manure smell from the storage tank, he caught a whiff of alcohol. Then something hard and sharp crunched into his back. Graham’s hand went down, clutching the sore spot. He saw a large rock sitting beside his feet.
A grumpy voice shouted, “Hey, now. What you doing all climbing over people’s fences?” A loud belch interrupted the slurred speech. “Go on, get outta here. Nothing but a worthless con man. Ain’t nobody want you here.”
Graham shifted around. He now noticed the drunk up against the junkyard fence. Obvious the man headed toward Sumter’s Pub although it didn’t look like he had enough change to buy anything. Dirty clothes hung over his body in four layers. All browned from the dirt and his own sweat. Forward and back, he swayed on his feet. The man held a large garbage bag over one shoulder. A thick piece of rope wrapped around his knuckles and tied the opening close. The drunk reached down to pick up several more rocks while stumbling. The weight of the garbage bag tipped him forward. He slammed face first into the ground.
Graham assumed this’d be the end of it. For almost three minutes the drunk sat there with his face flat on the ground and his rear end pointing toward the heavens. The garbage bag had busted open. Old newspapers, ripped clothing, and hundreds of bottle caps spilled across the road. A high groan escaped from beneath him. Then the drunk flopped to the side. Scraped skin covered his face along. A good amount of blood ran from the man’s nose bent with it in a crooked position. He gazed at his trash on the ground while wiping at the blood.
The man looked all right beside the busted nose. Graham turned toward the fence. One foot pushed on the bottom beam when the drunk started screaming.
“HE GONE PUNCH ME AND STEAL MY STUFF. I’LL GO HAVE YOU ARRESTED, BAXTER.”
At the mention of his name, Graham halted in his climb over the fence. He had no idea who the fool was yet the drunk obviously knew him from somewhere. After a sigh, he climbed down. His eyes gave a long stare, then he glanced up the road searching for any movement outside the bar. Loud music blared from inside. Old man Sumter must’ve gotten a local band in to entertain the folks tonight.
Graham strolled toward the drunk with his hands in pockets. “I didn’t hit on you. You fell and hit yourself.”
“YOU GONE AND DONE IT. GIVE ME BACK MY THINGS. THIEF! HELP! HE BEATING ME.”
Graham growled, “You threw a bottle at me. I should’ve come over and pounded your sorry ass. I didn’t. And you got nothing in that bag I want. All your things are there on the ground. Leave me alone.”
“Judge will lock you up good, Baxter. Good hundred years in jail. I’ll live in your place. Make myself comfy there,” the drunk said.
He had Graham worried with the threat. Even if the lawmen didn’t believe the drunk, they might hold both of the men in a cell overnight. Best if Graham did his business in Cotter’s barn and leave. His chances would be better if the lawmen found him back at the fort rather than standing over the bleeding drunk. Besides, Marty was alone in the storage room with his health worsening.
Graham walked back toward the fence. His hands grabbed the beam when something rammed into him. The boards broke and they went sprawling into the field.
He groaned and rolled up to a sitting position, his body throbbing everywhere. His eyes watched the drunk man stagger up to feet. The man’s hand reached into the grass and lifted the bottle. Then he strode over, a little steadier now with his anger helping his cause. A bad situation. Normally, Graham would beat on the drunk without giving a second thought about it. Yet he was unsure whether he had the strength to lift his arm in protection.
The drunk stomped forward with the bottle raised over his head. He muttered, “You give me everything. Empty your pockets and give me all you have. Give me your cash. Watch. Everything. Or I call the sheriff. Call him right now.”
Graham’s eyes stared at the drunk’s serious face. He had nothing valuable on him. Only things he kept in his pockets were the car keys and the convention center keys. The last of Cotter’s money went toward Marty’s comic books. Graham reached into the pocket and listened to the rustling plastic. He pulled out the sandwich bag and debated it for only a second as the drunk man’s arm trembled, ready to split open his skull. He held up the bag.
The drunk frowned. “Why I want a rock for? Plenty of them on the road for me to use on your head.”
Graham shrugged. “This one is different. It’s a fallen star. Came right out of the sky.”
“You think I fell off the truck yesterday? You pull out something better than that or I bust this bottle apart and slit your throat. Then I go into those pockets anyway and take what I want. Your choice on whether you want to stay alive,” the man threatened.
Graham snorted. “Do I look like someone who carries rocks in my pockets for nothing? If you know my name then you know I don’t steal worthless things. This is valuable to the right person.”
“What you mean valuable?” The drunk’s arm lowered. He hesitated before darting fingers snatched up the bag. The man opened the top and peered inside at the stone.
“Museum people, for one, like those who study the sky for a living. They’re always looking for stuff like this. Pay people big money when the rocks come from there.” Graham pointed upward.
The drunk’s eyes moved along Graham’s arm and stared at the sky. He hiccuped and shook the bag, excitement showing on his features. Then he looked down suspiciously. He backed away several feet before upending the bag. The stone fall into his hand.
Graham kept his face lowered while he looked at his dusty shoes and listened to the man’s heavy breathing. His palms flipped upward. The evening deepened more yet he could see the paleness of his skin, the round circles and the streaks moving up along fingers and down past wrists. It looked like he held stars. Pale and cold. Twenty minutes passed by the time he glanced upward.
The drunk man now sat on the grass with his eyes fixed on the stone sitting in his palm. Blood dripped off the top of his lip and splattered on pants. His body trembled yet he was too drunk to notice what was going on or even pay attention to what he was feeling. Also, his body had thinned into a less solid form. Along the edges of the drunk’s clothes, Graham could see through him like one of Marty’s comic book heroes who had special x-ray vision.
“Let it go,” Graham whispered. His own body trembled, yet with fright. He knew what he’d done, always known with the flower and the deer. Yet this was too much. He’d gone too far. What Graham had just done was worse than a knife shoved into someone’s gut or a gun pointed at a person’s head. He’d beaten people before and stolen from them. Yet he’d never taken a man’s life deliberately, despite how many people in this town believed he did from his second conviction.
“LET IT GO,” Graham shouted. In the distance, Cotter’s dogs barked. The drunk man lifted his face, snorted, and tossed the bottle. Graham’s arm came up. Yet the bottle broke apart, sending glass across his body. He shook the pieces from his clothes and hair. Then he charged forward with his shoulder up and aimed at the drunk’s chest, wanting to knock the stone from the man’s grip.
Graham felt himself enter the drunk's ethereal body. Veins slithered across his skin. Muscles bunched at the contact he made. Moisture slimed his jacket from bile and blood and liquid he had no name for from organs he had no right in touching. Then his elbow neared the stone. Pain. Heat. Heaviness. Uncanny power.
Raw energy smacked into every part of Graham’s body and sent him airborne. He flew backward eight feet and then struck the ground, wisps of smoke rising from his jacket. His eyelids fluttered as he tried to stay awake. Yet his mind and body hurt. Graham’s eyes took in the sight of the deepening night, just staring at the stars and the blackness beyond them. When his senses returned, he flipped onto his side and shook off the dazed sensation. He looked over at the drunk man.
Gone. Yet Graham knew the man would be. Only thing left was the blood spatter across the grass blades. The black stone sat near the bag, vibrating.
*******
Okay, I know that was more than a snippet. But hopefully it was entertaining to you, or at least passed a few moments of your time. Please visit the ever popular Eric for his post. And don't forget to drop by and see the talented Kat tomorrow for her answer.
Blog Chain: Art of Revising
Whoa! I almost totally missed this blog post chain. July has been a whirlwind for me. But I'm back and raring to go! The wonderful and talented Sarah asked this round's topic.
How do you handle revisions? Do you revise as you're writing, or do you wait until you've gone through beta readers and crit partners to revise? How soon after you finish do you begin your revisions?
According to the bylaws of my therapy group, Writer's Anonymous, I must admit that... sigh... I have ORS: Obsessive Revising Syndrome. Yes! I admit it! I'm a compulsive reviser. I handle revisions to the point where I'm revising more than actually writing.
But I swear that I'm getting better!
When the writing bug first struck, I would revise after just a few paragraphs. PARAGRAPHS! You can't imagine the amount of time it took to finish one page - let alone a chapter. When I finally noticed how slow I was going, I cut myself back slowly to every page and then to every chapter. I still do this on occasion, like a nail biter examining each finger looking for a sliver of an overhang to start gnawing on.
At this point in my life, I'm to where I revise after about every five to ten chapters. If I have an idea on how many chapters there will be then I sort of split up the story into three sections and revise. One day I hope to get to the point where I'll write a full manuscript straight through and then revise. Perhaps, one day, I'll even send a completely written manuscript to beta readers and crit partners without one smidgen of a revising note.
*shudder*
I have ORS - Obsessive Revising Syndrome. But I am getting better.
Visit the talented Christine who posted before me and the incredible Kat who will post tomorrow.
Something Fun for a Saturday
I found this fun and cool site from Eric at Working my Muse. It will analyze snippets of your writing and tell you which successful writer your style and voice is most like. I decided to try it out, first using this story.
Out of curiosity, I decided to try another. This time I took it from my chapter entry for the Primal Blogfest post. The snippet is from the suspense manuscript, The Stone Man. This is what came up.

Hmm. I never read his works before. Okay. I wasn't sure if I wanted confirmation that I wrote strictly by the styles of Stephen King, or whether other authors I read would appear - as is sometimes a writer's want to emulate those authors they read.
I decided to do one more. The first sample was just a simple offhand event that happened to me one day. The second piece was pure fiction in the writing style I concentrate on. So what would happen if I analyzed something completely different? I entered a children's short story I wrote a while back.
Okay, I write like Stephen King and David Foster Wallace(I did it once more, with a Fractured Fairy Tale, and it came up as David Foster Wallace). Split even tie!
This was an entertaining exercise. Do please try it out for yourself.
Out of curiosity, I decided to try another. This time I took it from my chapter entry for the Primal Blogfest post. The snippet is from the suspense manuscript, The Stone Man. This is what came up.

I write like
David Foster Wallace
David Foster Wallace
I Write Like by Mémoires, Mac journal software. Analyze your writing!
Hmm. I never read his works before. Okay. I wasn't sure if I wanted confirmation that I wrote strictly by the styles of Stephen King, or whether other authors I read would appear - as is sometimes a writer's want to emulate those authors they read.
I decided to do one more. The first sample was just a simple offhand event that happened to me one day. The second piece was pure fiction in the writing style I concentrate on. So what would happen if I analyzed something completely different? I entered a children's short story I wrote a while back.
Okay, I write like Stephen King and David Foster Wallace(I did it once more, with a Fractured Fairy Tale, and it came up as David Foster Wallace). Split even tie!
This was an entertaining exercise. Do please try it out for yourself.
Subscribe to:
Comments (Atom)


